My profile of Kent Twitchell, dean of Los Angeles mural art, whose work asks: Can the visual language of photorealism communicate the truth of God? In the arts journal Image.
Forty years ago four kids from East L.A. forever changed the course of Chicano art. I tell the story of the 1970s Chicano art collective Asco in the latest Los Angeles Review of Books. Glam rock movie stills, fake crime scenes, portable murals, dancing tanks–Asco’s art was avant-garde before there was a Chicano avant-garde. At last the group is getting its due with recent museum retrospectives (LACMA) and magazine covers (ArtForum). Asco’s legacy is complicated. The group invigorated an ethnic art movement at risk of creative inertia. But they were pied pipers, too, inspiring a new generation of young Chicano artists to pursue art world fame–not the political activism once considered Chicano art’s primary goal.